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Wednesday, November 30, 2016

The Examined Life is the Only One Worth Living

Star Trek is a show about ideas. It is often full of action, suspense, drama, and humor. But at its core, Star Trek communicates ideas about human life through the experiences, relationships, tragedies and explorations of the universe narrated/explored through its characters. In each of these encounters with alien species, space anomalies or with fellow crew members, something of the human condition is conveyed. I hope to explore some of these, along with the myriad fans of Star Trek, and come to know something more about the phenomenon we love and to know more about ourselves as well. In my professional life I teach philosophy and so I will carry out these musings in conversation with some of the key thinkers in philosophy and history.

Picard in Star Trek: TNG "Tapestry"

One of my favorite episodes of Star Trek: The Next Generation is "Tapestry." This episode has everything I mentioned above. It has the erratic and often humorous behavior of Q, some ornery Nausicaans, romantic interests, great fights, wonderful character development and suspense. The opening scene sees the stalwart and stoic Captain Jean-Luc Picard die in sickbay resulting from a weapon's blast. The artificial heart he received in his youth gave out and he could not be saved. The omnipotent Q visits Picard in what appears to be the afterlife and asks whether there is regret in the captain's life. It's a poignant inquisition, as the tormented voices of those who have died, either through the action or inaction of Picard throughout his life, echo in the background. Q offers Picard an opportunity to make peace with his "sordid" past. He can alter the past in order to avoid the violent encounter with the surly Nausicaans in his youth to keep his natural heart and thus save his future life.

Q and Picard in Star Trek: TNG "Tapestry"

Picard is nothing if not an enlightened individual, and he laments that his youthful life was filled with "far too much ego" and "too little wisdom." Rather than seeing an untimely end to his life, Picard is sent to the past and, in the course of events, a mature captain attempts to convince his youthful, ensign companions to not seek revenge on the cheating Nausicaans. He attempts to make them see that the risk is too great and the potential benefit not worth the potential loss. During his attempts to correct his youth, Picard manages to alienate his closest friends. He refuses to come to the aid of his mate, Cortin Zweller, and in doing so betrays the friendship which is based on years of comaraderie, shared experience and mutual support. They used to have one another's backs, not one another's consensus. In different ways, he explores the "what if" person in his life, Marta. However, in being willing to romantically explore what did not originally occur, the mature Picard does not anticipate the response of youth to the discomforting change of a friendship. This, too, is lost and cannot be recovered. Ultimately, Picard avoids the fateful combat with the Nausicaans, but the cost in terms of friendships is high. The cost is also high in terms of his own life. The outcome of being overly cautious and losing youthful zeal is not only that Picard's career suffers. Even more so, he loses himself. The dreary lieutenant from astrophysics is a shell of the person Picard is and a caricature of the life he knows as his own.

Cortin Zweller in Star Trek: TNG "Tapestry"

Picard is given an opportunity that many would relish. As we mature, it is common to look back at points in our life and reflect on the choices we made and the things we've done. Depending on the nature of the events in mind we might swell with pride, wince with regret or even feel the pangs of shame. It is easy to examine our past from the standpoint of maturity and have some regrets. If we are caught in similar circumstances today, we act differently than we did in our youth. In Plato's Apology, Socrates stands trial for denying the gods, corrupting the youth and for being politically disruptive (activities well known to philosophers!). Socrates discusses the option of avoiding execution by choosing a life of silence where his questions and his explorations in virtue will no longer prove to be a menace to the stability of Athenian society. He is given the opportunity to go on living, and all he has to do is avoid his life's passion and abandon his inquiries. It is here that Socrates offers his famous dictum, "the unexamined life is not worth living." Socrates cannot take up the offer of the Athenian authorities. He cannot remain silent. He must continue his searches because it is these inquiries that make his life worthwhile.

Picard talks to Q in Star Trek: TNG "Tapestry"

Ancient philosophers discussed this in the Socratic idea of the unity of the virtues. A person cannot simply be just or merciful, generous or patient without having the other virtues accompanying them. One must be resolute and have self-discipline in order to gain wisdom. One must be patient to be steadfast and one must be humble to learn knowledge. In other words, a complete life is needed in order to have a life that is worthwhile. Picard could not become the wise captain without reflecting critically on his impetuous youth. He could not courageously take command of the Stargazer when it was needed without taking the risks of getting into fights over games of dom-jot. He could not know that life is a fleeting thing that merits our making the most of every second without nearly losing that life before it reached fulfillment. These moments shaped who he became and gave him the life worth living. Without those moments of regret and the brash arrogance of his youth his life becomes tedious and wearisome. The normally stoic Picard cries out, "I cannot live out my days as that person. That man is bereft of passion and imagination. I am not that man!" He would rather die on Dr. Crusher's table than live as the person he became after he changed his youth.

Picard is surrounded by his crew in Star Trek: TNG "Tapestry"

In this moment, Picard learns something of immense importance. He learns that living well is less about having a life without blemishes as it is about reflecting upon the complexities and conflicts of one's life and learning from it. What is important, for both Picard and Socrates, is that we examine our lives with its imperfections rather than constructing perfect lives. It's the willingness to confront ourselves and grow that matters. Picard doesn't try to justify his youth, nor do his opinions change about it. In the end, he still thinks he was brash and arrogant as an ensign. But he comes to recognize that our well-being and maturation hinge upon our openness to acknowledge our flaws and learn from them. For Picard, Socrates and us, the process of learning from our lives is superior to having spotless lives. In fact, it appears that the examined life is the only one worth living.

Timothy Harvie is Associate Professor of philosophy and ethics at St. Mary's University in Calgary, Canada. His interests lie primarily in philosophical theology, political philosophy, environmental and animal philosophies, and ideas of the role of hope in society. He is a lifelong Star Trek fan. Check out his website at http://ift.tt/2g6ZrBf.


via Star Trek Latest News

Picardo, Braga Reunite for Salem

Star Trek: Voyager's Robert Picardo tackles a very, very different role today on WGN's creepy series, Salem. The actor, sporting a scruffy beard and long white hair, guest stars as a character named Mr. Stoughton in the third-season episode, "Night's Black Agents." Picardo, of course, reunites with another familiar Trek figure on Salem. His old Voyager boss, Brannon Braga, is Salem's co-creator and executive producer/show runner, as well as one of its writers.

Here's the official synopsis of the episode: In "Night's Black Agents" – written by Brannon Braga & Adam Simon and directed by Joe Dante (Gremlins) – Cotton desperately tries to escape to Boston before Anne or the Boy's followers track him down. He comes across Tituba, who shows him a vision of his future, ultimately changing his decision to leave. Mary realizes that even without her witch powers, she can still use her femininity to manipulate those around her. Meanwhile, Alden and Billy continue the fight on the outskirts of Salem.

Robert Picardo as Mr. Stoughton in Salem

Picardo, in a quick conversation with StarTrek.com, said: "I loved working on Salem with my longtime friends Brannon Braga and Joe Dante. Plus, it was great to have hair again, however briefly. I looked like an evil Ben Franklin."


via Star Trek Latest News

Tuesday, November 29, 2016

Titan's 50 Years of Star Trek, Vol. 2, Out Now

"Fifty Years of Star Trek," Titan Magazines' second volume of archive material, charts the amazing story behind the making of the iconic sci-fi franchise, as told by the people closest to it: the stars of the shows and movies.

 

Covering every incarnation of Star Trek, from The Original Series to Enterprise and the Trek feature films, "Fifty Years of Star Trek" features classic archive interviews with leading cast members, including William Shatner, Leonard Nimoy, DeForest Kelley, Patrick Stewart, Brent Spiner, Marina Sirtis, Kate Mulgrew, Jeri Ryan, Scott Bakula, and many more. Fans will also discover how actors Chris Pine, Zachary Quinto, Zoe Saldana, and the other stars of the recent movies made the characters their own.

For more information or to get your copy now, go to www.titan-comics.com.


via Star Trek Latest News

Star Trek: Discovery Beams Up Three Cast Members

Doug Jones, Michelle Yeoh and Anthony Rapp have been announced as the first three actors cast for Star Trek: Discovery.

Star Trek: Discovery Cast

Jones will play Lt. Saru, a Starfleet science officer and an alien species new to the Star Trek universe. He is a respected actor with a large following of sci-fi and horror fans as a result of his creature performances in the likes of Buffy the Vampire Slayer, Hellboy, Legion, Pan's Labyrinth and The Strain. 

Yeoh is set to play Captain Georgiou, the Starfleet captain about the starship Shenzhou. She is an internationally known actress and action star whose many credits include Tomorrow Never Dies and Crouching Tiger, Hidden Dragon

Rapp will beam aboard as Lt. Stamets, an astromycologist, fungus expert and Starfleet science officer on the starship Discovery. He is best known for his stage work in such Broadway productions as Rent, You're a Good Man, Charlie Brown and If/Then, and also counts among his films credits School Ties, A Beautiful Mind and Rent.

Star Trek: Discovery is coming to CBS All Access in May 2017, following the premiere on the CBS Television Network, and will be distributed concurrently on Netflix in 188 countries and through Bell Media in Canada.


via Star Trek Latest News

Monday, November 28, 2016

Prey Trilogy Concludes Tomorrow with The Hall of Heroes

John Jackson Miller's acclaimed Star Trek: Prey trilogy will warp to its conclusion tomorrow when Simon and Schuster/Pocket Books releases Book 3: The Hall of Heroes. The Hall of Heroes follows on the events of Book 1: Hell's Heart and Book 2: The Jackal's Trick just yet. Here's the synopsis of The Hall of Heroes:

The Klingon Empire stands on the precipice. In the wake of violence from the cult known as the Unsung, paranoia threatens to break Chancellor Martok's regime. Klingons increasingly call for a stronger hand to take control . . . one that Lord Korgh, master manipulator, is only too willing to offer.

But other forces are now in motion. Assisted by a wily agent, the Empire's enemies conspire to take full advantage of the situation. Aboard the U.S.S. Titan, Admiral William T. Riker realizes far more than the Federation's alliance with the Klingons is in danger. With the Empire a wounded animal, it could become either an attacker—or a target.

Yet even as hostilities increase, Worf returns to the U.S.S. Enterprise and Captain Jean-Luc Picard with a daring plan of his own. The preservation of both the Empire and its alliance with the Federation may hinge on an improbable savior leading a most unlikely force...

Star Trek: Prey, Book 3: The Hall of Heroes, which runs 352 pages, will be available as a mass market paperback and eBook priced at $7.99 in the U.S. and $10.99 in Canada. Go to http://ift.tt/hewKkZ to pre-order it and also Book 1 and Book 2.


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Sunday, November 27, 2016

Remembering DS9 Guest Star Fritz Weaver, 1926-2016

StarTrek.com is saddened to report the passing of veteran character actor Fritz Weaver, who died on November 26 at the age of 90 at his home in New York City. Weaver portrayed Kovat, the Cardassian public conservator who represented O'Brien, in the Deep Space Nine episode "Tribunal."


Born in Pittsburgh, Weaver's many, many film and television credits included two episodes of The Twilight Zone, Fail Safe, Mission: Impossible, The Day of the Dolphin, Marathon Man, Demon Seed, The Legend of Lizzie Borden (earning Weaver an Emmy nomination), Holocaust (earning Weaver another Emmy nomination), The Martian Chronicles, Creepshow, The X-Files, The Thomas Crown Affair, The Cobbler and The Congressman, the latter two released respectively in 2014 and 2016. He was also a respected stage actor, winning the Tony Award in 1970 as Best Actor in a Play for his performance in Child's Play, and narrated numerous History Channel productions.

Weaver is survived by his wife, Rochelle, daughter, Lydia, and son, Anthony, as well as a grandson. Please join StarTrek.com in offering our condolences to Weaver's family, friends, fans and colleagues.


via Star Trek Latest News

DS9's "Our Man Bashir," 21 Years Later

"Our Man Bashir," one of Star Trek: Deep Space Nine's most-entertaining hours, aired on November 27, 1995 -- or a mind-boggling 21 years ago today. The episode, in which the DS9 crew replaced the characters in Dr. Bashir's secret-agent holosuite program following a transporter issue (rather than a holosuite malfunction), was pure 007-style fun. StarTrek.com takes a Bond, er, fond look back at "Our Man Bashir" with these details, figures and anecdotes:

Alexander Siddig as Dr. Bashir in Star Trek: DS9

Ronald D. Moore wrote "Our Man Bashir" based on a story pitch by Robert Gillan. The late Winrich Kolbe directed the episode.

The episode's working title was "Untitled Holosuite."

Bashir and Garak in Star Trek: DS9

"Our Man Bashir" had the distinction of having the single-longest shoot -- nine days, vesus the usual seven -- of any DS9 episode. That was due mostly to the unusually high number of intricate stunts and the many detailed sets the episode required.

Best line: "Bashir. Julian Bashir."

Nana Visitor and Siddig in Star Trek: DS9

Alexander Siddig and Nana Visitor -- who later married and divorced -- were dating when they filmed "Our Man Bashir," thus their obvious chemistry. Actually, Visitor noted in the Star Trek: Deep Space Nine Companion, "It was the first episode we did after Sid and I got together as a couple."

Mona Luvsitt and Honey Bare are clear homages to the names of old-school Bond females.

 Dr. Noah? Enough said, right?

According to Memory Alpha, via the Star Trek: Deep Space Nine Companion, "Although Ronald D. Moore attempted to avoid directly referencing any of his primary influences, it seems that some names and situations skated a little too close for comfort. After this episode aired, the producers go an angry letter from MGM, the studio which holds the rights to the James Bond property. The DS9 Companion doesn't reveal the content of the letter other than to say, 'apparently MGM did not find imitation to be the sincerest form of flattery.' As such, in the fifth season espisode 'A Simple Investigation,' which returns to Bashir's holonovel, the references to Bond are far more subtle."

Other influences on the episode included The Man from U.N.C.L.E., The Wild Wild West, Our Man Flint (note the similarity to the title of the episode) and Matt Helm.

Which DS9 regular did not appear in this installment? That'd be Cirroc Lofton.

Another great line, this one uttered by Garak: "Kiss the girl, get the key. They never taught me that in the Obsidian Order."

Marci Brickhouse, who played Mona Luvsitt, later guest starred on Suddenly Susan, Baywatch, Boy Meets World, CSI: Crime Scene Investigation and Dragnet, among other shows. These days, she works as an artist.

Perhaps not so coincidentally, "Our Man Bashir" debuted a mere 10 days after GoldenEye, the first Bond film in six years, opened in theaters.

"I think it's safe to say that Julian Bashir, secret agent, will return," Bashir tells Garak at the end of the episode, yet another tip of the cap to the Bond films.

Terry Farrell as Dax in Star Trek: DS9

"Our Man Bashir" earned two Emmy Award nominations: Outstanding Hairstyling for a Series and Outstanding Music Composition for a Series (Jay Chattaway).

"I think 'Our Man Bashir' was probably one of the most-important episodes in terms of changing attitudes towards Bashir," Siddig told StarTrek.com in September 2016, referring to the fact that, for a long time, he felt Bashir was an "unpopular" character. "I think that was probably one of the most-influential episodes. I don't know if it's one of the best, but it is certainly super-influential. I remember opinions began to change after that episode. So that would probably be an important one, historically."


via Star Trek Latest News

Ship You'd Want To Take You Home For Holidays Is...

Which ship would you trust to take you home for the holidays? That was the question StarTrek.com posed for our latest weekly polls. Fans could choose from the following options: Enterprise E, Enterprise D, Defiant, Voyager, Excelsior or Prometheus. More than 4,000 fans voted, and here are the results:

Enterprise D (30%)

Enterprise E (28%)

Voyager (19%)

Defiant (16%)

Prometheus (4%)

Excelsior (3%)

And how did YOUR ship of choice fare?


via Star Trek Latest News

Saturday, November 26, 2016

Remembering Voyager Guest Ron Glass, 1945-2016

StarTrek.com is saddened to report the passing of Emmy Award-nominated actor Ron Glass, whose credits included a long run as Detective Ron Harris on Barney Miller, as well as the series-regular role of Shepherd Derrial Book on Firefly (and in the film Serenity), and one trip to the Star Trek universe. Glass guest starred as Loken on the Voyager episode "Nightingale." He was 71 at the time of his passing on November 25, according to Variety, though the location and cause of his death had not yet be confirmed.

Star Trek Voyager Ron Glass

In "Nightingale," Loken was a Kraylor who faked being a doctor, fooling Harry Kim. It turned out that Loken was actually a scientist who'd created a cloaking device that his people could use in their effort to overcome a blockade of their planet by the Annari. "Nightingale" aired in November 2000, and was the eighth episode of Voyager's seventh season.

Barney Miller Ron Miller

Beyond Voyager, Barney Miller and Firefly/Serenity, Glass appeared in such other films and television shows as Sanford and Son, Hawaii Five-O, All in the Family, The Bob Newhart Show, The New Odd Couple, Amen, Family Matters, Houseguest, Friends, Lakeview Terrace, Shark, CSI: NY, Agents of S.H.I.E.L.D., Major Crimes and CSI: Crime Scene Investigation. He also lent his voice to the popular animated series Rugrats and All Grown Up!

Please join StarTrek.com in offering our condolences to Glass's family, friends and colleagues.


via Star Trek Latest News

Schematic Illuminated Display Available Now

If you've always wanted Star Trek's cool illuminated schematic displays in your home, well, you're time has come. ThinkGeek has introduced the Star Trek Schematic Illuminated Display, which offers two interchangeable, engraved, acrylic plates - one for The Original Series, one for The Next Generation. The plates sit on a base powered either by USB or three AA batteries, depending on your setup. The base contains LED lights and the LED lights glow in seven color cycles.

The Star Trek Schematic Illuminated Display measures 10 1/2" wide x 8 1/2" tall, including the base. Available now at ThinkGeek.com, it costs $49.99.


via Star Trek Latest News

The Voyage Home: 30 Facts for 30 Years

Star Trek IV: The Voyage Home marks its 30th anniversary on November 26th. To celebrate, we are sharing 30 favorite facts from the production we learned while researching the film's co-writer Nicholas Meyer's library archives at the University of Iowa. Let's sling shot around the sun, pick up enough speed, and time warp back to the 1980s for a celebration of one of Trek's most enduring and beloved adventures.

  • Star Trek IV: The Voyage Home was originally named "The Adventure Continues" in its early drafts, a nod to the ending title card of the previous film The Search for Spock which promised "…AND THE ADVENTURE CONTINUES…"
  • Contrary to the myth that no Star Trek sequels were planned until the previous film had been released, The Voyage Home actually began preliminary preproduction and story development during the spring of 1984, a few months before the premiere of The Search for Spock.
  • Producer Harve Bennett and director Leonard Nimoy agreed that they wanted to use time travel and also avoid the use of villains and violence in the film very early in the story development process – in essence, to make what they called a "nice" movie.
  • Bennett referred to The Voyage Home as a "local location" production (a TV term referring to shows that use near-by outdoor locations as a setting to save money on building sets). He referred to The Wrath of Khan as a "bottle show" because almost 65% of the movie was made on the same set (the Enterprise and Reliant were the same sets).
  • When time travel was mentioned as a story possibility for The Voyage Home, Gene Roddenberry suggested the use of a story he had previously developed about the Enterprise crew going to the 1960s and interacting with the actual historical event of John F. Kennedy's assassination.

  • Leonard Nimoy was inspired by the book Biophilia by Edward  O. Wilson, which outlined the concept of a "keystone species" – that if a keystone species were to go extinct, it would threaten all other species.
  • Bennett originally suggested that the species that the Enterprise crew needs bring back to the 23rd century could be the then-recently discovered species of the snail darter, a small species of fish about the size of two paper clips. Bennett joked that the reason for his suggestion was the cost saving, but really it was an inspired idea because the notion that something very small, the tiny of creatures, could have the greatest of impacts is very much a Trek-ian idea.
  • Whales were chosen because of their epic and cinematic size in addition to their gentility and intelligence.
  • It was Paramount executive Jeffrey Katzenberg who contacted Nimoy and Bennett with what he called either the best idea or worst idea: having Eddie Murphy, an avowed fan, appear as the film's guest star. A script was written by Peter Krikes and Steve Meerson featuring Murphy's character, an English professor who believed in UFOs.
  • An interesting sequence of that script had the Klingon Bird of Prey decloaking above a football field during the Super Bowl. Everyone there, except Murphy's character, would have believed it to be part of the halftime show. The idea of having Murphy star in the film was eventually abandoned. Eddie Murphy and William Shatner eventually would team up... in the 2002 film Showtime.

  • With production looming and script concerns, Nimoy and Bennett asked Wrath of Khan director and writer Nicholas Meyer to help by joining Bennett in co-writing a new version of the script. Meyer accepted because his friends needed him, and because he liked the duo's goal of making a "nice" Star Trek movie.
  • Meyer's portion of the script begins with the line "Judging by the pollution content of atmosphere…" and ends right before the D.H. Lawrence poem, which was co-writer Bennett's contribution.
  • Admiral Lance Cartwright's character, played by the amazing Brock Peters, was originally not in the script. Instead, the character was supposed to be Admiral Harry Morrow, played by Robert Hooks, previously in The Search for Spock.
  • Speaking of names, Gillian's character was at one time named Shelley.
  • At one time, George and Gracie were called Adam and Evie.

  • Filming began in February 1986. Cinematographer Donald Peterman was nominated for an Academy Award for his amazing work on Star Trek IV. At the time of his passing, Leonard Nimoy called him a "gentleman and a talent." Nimoy had wanted an unusual style for the film and one of Peterman's contributions, along with production designer Jack Collins, was to use panels to light characters on the Klingon ship to be a contrast to how the characters were usually presented on the Enterprise.
  • There was a sequence scripted, but not filmed, explaining the reason for Saavik staying behind on Vulcan - she was pregnant from her Ponn Farr experience with Spock.
  • The Voyage Home used not only real world external locations, but also real world interiors. The antique store, U.S.S. Enterprise and Cetacean Institute were all real world exterior and interior locations. The Cetacean Institute was actually the famous Monterey Bay Aquarium. John Tenuto's parents happened to be there during filming at the aquarium during the April 1986 production and brought this footage back with them: www.youtube.com.
  • Showing the contribution that special effects technicians, set builders and editors make to a film, the sequences where Spock jumps into the tank with George and Gracie and Kirk reacts while on the tour conducted by Gillian is a masterful example of behind-the-scenes artistry: no less than four locations were required to make that scene work (the real Monterey Bay Aquarium, an ILM created blue-screen environment, a swimming pool in El Segundo, and a set at Paramount). Through editing tricks and slight of hand, all appear to be the same location in the various sequences.
  • The U.S.S. Enterprise CV-65 was actually unavailable for filming. The USS Ranger CV-61 stood in for the Enterprise and if you look very closely you could see the Ranger name on a few of the hats of the real military who served as extras.

  • An unseen tag used by the antique dealer to catalog Kirk's glasses gives the date of the crew's visit to Earth as August 19, 1986. However, the newspaper that Kirk and crew look at a few minutes earlier in the film has the date December 18, 1986.
  • The Plexicorp company that "Professor" Scott and his "assistant" Leonard McCoy visit was actually the Reynolds & Taylor Plastics factory in Santa Ana. Interestingly, the real company made custom plastic panels, including ones reportedly for the Monterey Bay Aquarium.
  • The police officer at the hospital was played by Joe Lando, who would go on to fame as Byron Sully from Dr. Quinn, Medicine Woman.
  • This film includes the first contributions of one of Star Trek's most important behind-the-scenes geniuses, Michael Okuda.
  • The dream sequence used to symbolize time travel was originally envisioned by the immensely talented Ralph McQuarrie, the creator of the look of Star Wars. McQuarrie contributed also to the look of  Starfleet Headquarters in The Voyage Home. His unused designs for the refitted Enterprise of Star Trek: The Motion Picture are an inspiration for the look of the U.S.S. Discovery of the new Star Trek: Discovery. The final dream sequence, with ideas from Leonard Nimoy, was created using Cyberware's pioneering 3D scanning and morphing technologies.

  • The effects of the film are so incredible that the production received letters of protest for getting that close to real whales during filming. In reality, there are only a few images of real whales in the film, mostly in the breaching sequences. What is usually seen are remote-controlled models created and manipulated under the supervision and design of Michael Lanteri, Walt Conti and their teams of artists.
  • The probe was designed by Nilo Rodis Jamero and built by ILM's model shop. It was meant to be five miles long script-wise, but in reality were an approximately 8 foot and 20 foot model. The probe is meant to be whale-like, with barnacles and the light being reminiscent of a whale's blow-hole.
  • Composer Leonard Rosenman earned an Academy Award nomination for the music of The Voyage Home.
  • The "punk" rocker on the bus was played by Kirk Thatcher, who also created the music used in the famous nerve-pinch sequence. Thatcher was an associate producer on The Voyage Home and was the voice of the testing computer at the start of the film. In fact. Kiri-kin-tha's First Law of Metaphysics, which Spock identifies as "Nothing unreal exists," is named for Kirk Thatcher. Thatcher had worked on Star Wars: Return of the Jedi in the creature shop, and is now a talented director for The Jim Henson Company productions
  • In 1987, Leonard Nimoy and Harve Bennett were invited to screen The Voyage Home in Russia at the Spaso House to celebrate Russia agreeing to join the world community in banning factory whaling. This afforded Nimoy a chance to visit the town his family was from in the Ukraine, his parents being from the same community and both having to escape to the United States from the terrible pogroms against Jews that were occurring at the time. This was the first time a Star Trek film screened in Russia. Bennett wondered if the humor would translate, and was happy that it did... another symbol of the universal connection between people that The Voyage Home celebrates.

Happy Birthday Voyage Home!

Special thanks to Dan Madsen for allowing us to digitize images from the pages of the Star Trek Communicator fan club magazine of the era and to share these special photographs from the set of the film.


via Star Trek Latest News

Friday, November 25, 2016

Designing Starships Vol. 1 Out from Official Starships

Star Trek The Official Starships has released Star Trek: Designing Starships Vol.1.

Star Trek: Designing Starships Vol. 1 is the story of how some of the most talented designers in Hollywood created Star Trek's starships from the first sketches to the finished models that appeared on the screen. The book covers the genesis of 30 ships, including all seven Enterprises. Packed with original concept art, the books shows the interesting directions that were explored and abandoned, and reveals the thinking behind the finished designs.

Star Trek: Designing Starships, Vol. 1 contains material previously published in Star Trek: The Official Starships Collection, along with 30 pages of all-new content. The book is on sale for $26.21. To purchase, go HERE.
 
Star Trek Starships Collection Spock's Jellyfish Model Ship

The Spock Jellyfish Model Ship is almost certainly one of the most eagerly awaited models in the series. The special edition of Star Trek: The Official Starships Collection is an oversized version of the Spock's "Jellyfish" ship from J.J. Abrams' Star Trek (2009). The ship, which was designed to carry red matter into the heart of the Romulan sun, has an unusual design for Star Trek and looks unlike anything before. The finished model measures 173mm long by 140mm tall. The accompanying magazine takes a look at rare production artwork, goes into detail about how the ship was designed, starting with legendary comic book artist Bryan Hitch's first sketch through Ryan Church's redesigns until ILM built the final model.

The Official Starships Collection, including exclusives, is available on the brand-new online shop. The Spock Jellyfish Model Ship is $39.95. To pre-order, go HERE.

Keep an eye on StarTrek.com for additional information about upcoming releases and detailed First Looks looks at each ship as they're released.


via Star Trek Latest News